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┌············································································┐
│ Anthony_Phillips-The_Geese_and_The_Ghost-2CD-(Remastered_and_Expanded)-2008│
└············································································┘
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█ Artist : Anthony Phillips █
█ Album : The Geese & The Ghost █
█ Bitrate : VBR 177 Average KB/s (High Quality 44.1 kHz Joint Stereo) █
█ URL : http://allmusic.com/cg/amg.dll?p=amg&sql=10:gvfixzejldae █
█════════════════════════════════════════════════════════════════════════════█
█ Source : CD (LP) NFO [√] █
█ Label : Voiceprint SFV [√] █
█ Year : 2008 M3U [√] █
█ Genre : Rock JPG [√] █
█ Ripper : NHH █
█ Rip date : 2009-01-02 █
█ Store date : 2008-08-22 █
█ Rip tool : EAC 0.99 prebeta 4 (Secure Mode) █
█ Encoder : Lame 3.97 -V2 --vbr-new █
█ Size : 143.37 megs █
█ Catalog# : 432 █
█ Supplier : NHH █
█└··········································································┘█
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█▒════════════········· └ └ └┘ └└──── └────┘ ···········═════════════▒█
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█ Total Tracks : 20 █
█ Disc 1/2 █
█ -------- █
█ 1. Wind - Tales 1:03 █
█ 2. Which Way The Wind Blows 5:52 █
█ 3. Henry; Portraits From Tudor Times (Parts 1 - 6) 14:03 █
█ 4. God If I Saw Her Now 4:14 █
█ 5. Chinese Mushroom Cloud 0:46 █
█ 6. The Geese And The Ghost (Parts 1 & 2) 15:51 █
█ 7. Collections 3:07 █
█ 8. Sleepfall- The Geese Fly West 4:35 █
█ ----------------------------------------------------------------------- █
█ 49:31 █
█ Disc 2/2 █
█ -------- █
█ 1. Master Of Time (Demo) 7:38 █
█ 2. Title Inspiration 0:33 █
█ 3. The Geese And The Ghost - Part One (Basic T Rack) 7:48 █
█ 4. Collections Link 0:42 █
█ 5. Which Way The Wind Blows (Basic Track) 6:28 █
█ 6. Silver Song (Basic Track) 4:24 █
█ 7. Henry- Portraits From Tudor Times (Basic Track) 5:40 █
█ 8. Collections (Demo) 4:17 █
█ 9. The Geese And The Ghost - Part Two (Basic Track) 7:32 █
█ 10. God If I Saw Her Now (Basic Track) 4:19 █
█ 11. Sleepfall (Basic Track) 4:26 █
█ 12. Silver Song (Phil Collins Version) 4:14 █
█ ----------------------------------------------------------------------- █
█ 58:01 █
█└··········································································┘█
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█▒══════════════··········· Ä └┘ └──┘ └ └─────┘ ···········═════════════▒█
█▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀█
█ Review by Bruce Eder █
█ █
█ Anthony Phillips" first post-Genesis solo album was an extension of the █
█ pseudo-medieval folk elements found on Trespass, the last of his Genesis █
█ albums. Much of this recording sounds like a lost Genesis album, █
█ understandable since Phil Collins does a lot of the singing, and Michael █
█ Rutherford is present on guitar, bass, and keyboards, and also shares █
█ composer credits with him on major parts of this album -- portions of █
█ the material here, in fact, seems to have been derived from pieces they █
█ composed together in Genesis" early days, that proved unsuitable for █
█ performance on stage. Thus, The Geese and the Ghost comes off as a sort █
█ of throwback, picking up stylistically where Trespass or Nursery Cryme █
█ (check out part two of the title track) left off nearly six years █
█ earlier. "Henry: Portraits From Tudor Times" can still hold the patient █
█ listener"s attention, as it moves from bold synthesizer-generated █
█ fanfares to intimate classical guitar passages, into soaring movements █
█ for electric guitar, flute, and oboe, no less (there are three flautists █
█ here, plus one violinist, two cellists and a pair of oboists, Bob █
█ Phillips and Laza Momulovich, who often get placed very prominently in █
█ the mix, probably a first on a rock album) -- these movements would work █
█ better if they weren"t quite so repetitive. The 15-minute two-part title █
█ track is hopeless -- gorgeous, luscious, languid, and utterly pointless █
█ in terms of presenting ideas of any worth or resolving them in any █
█ serious way; this is the sort of material that first-year composition █
█ students turn in as exercises, but only in the fading glow of the the █
█ prog-rock boom would it see the light of day on a commercial release. █
█ It"s very arty in an early-"70s manner, midway between early Genesis and █
█ Amazing Blondel (note that neither of those groups still existed in █
█ their progressive-rock incarnations in 1977), without the vibrancy that █
█ the former could generate or the impressive musical language or █
█ vocalizing of the latter. What Phillips failed to recognize, or couldn"t █
█ emulate, was the fact that Genesis, Yes, King Crimson, and other █
█ bigger-than-footnote prog-rock outfits always made sure their music was █
█ exciting, as well as pretty and complex. Still, it is pretty, and the CD █
█ reissue (which is devoid of instrumental credits) has a demo, "Master of █
█ Time," as a bonus. That song, a fey mix of sci-fi and faux-medieval █
█ sensibilities, never made the final cut of the album, and the demo runs █
█ two minutes too long for its own good, but it is sung by Phillips solo █
█ (he doesn"t have much of a voice, hardly an octave range to judge from █
█ this) in a passionate manner, and is played -- on acoustic and electric █
█ guitars, with piano and no classical musicians added -- with some effort █
█ at excitement and vibrancy. [Voiceprint"s 2008 two-disc edition included █
█ bonus tracks.] █
█╘∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙╛█
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█▀ Greets to our friends in FIH Recycled FRAY SNO & other groups that are ▀█
█▀ doing their best. Always looking for more affils/sites. Contact us if you▀█
█▀ have something. ▀█
█└··········································································┘█
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